Sunday, September 22, 2024

John Madden's Sunday Set Up

 





























LA Times - "John Madden is gone but his family is keeping his NFL gameday legacy alive"

"The best seat in the house is still reserved for John Madden.

His throne is fully reclined and draped in a fleece Raiders blanket. It sits squarely before a 20-foot-tall LED wall, a study in sensory overload, showing every NFL broadcast at once.

When the Hall of Fame coach retired from the TV booth in 2009, until his death in 2021, he watched games in his own temple of boom — a family-owned production studio in a quiet business park.

He would sit in that recliner, or at a table at the back of the darkened and cavernous room, where his family now arranges a weekly place setting in his honor. There’s a cup of coffee, a glass of orange juice and a fresh-baked apple fritter, all of which go undisturbed throughout the day."

Miami Vice Recreated Miami

@iam.major_dad Among the many iconic moments that defined this era, none are more indelible than the unforgettable scene in Season 1, Episode 1 of Miami Vice when Phil Collins' "In the Air Tonight" played. This moment not only left an indelible mark on television history but also contributed to the enduring legacy of both the song and the show. Picture it: Miami, 1984. The city's vibrant culture and pastel-infused skyline served as the backdrop for a groundbreaking television series that would go on to redefine the cop drama genre. Miami Vice, created by Anthony Yerkovich and executive produced by Michael Mann, burst onto the scene with its slick style, unconventional storytelling, and a killer soundtrack that would become the hallmark of the show. In the opening episode, detectives Sonny Crockett (Don Johnson) and Ricardo Tubbs (Philip Michael Thomas) embark on an undercover mission to take down a drug kingpin. The scene is set for suspense and intrigue, but it's the soundtrack that elevates it to legendary status. As Crockett speeds through the Miami night in his iconic "Ferrari" Spyder (later identified as a mock Ferrari and replaced by real Ferrari’s as an agreement between Ferrari and the producers), the haunting notes of Phil Collins' "In the Air Tonight" start to play, setting the tone for what would become one of the most iconic moments in television history. #fakeguns⚠️ #80stv #miamivice #miami #s #donjohnson #sonnycrockett #miamibeach #miamiheat #philipmichaelthomas #vibe #80sshows #ricardotubbs #florida #freitag #tvshows #miamivicestyle #sfashion #southbeach #f #miamilife #ferrari #miamimtb #miamirace #vitico #bhfyp #viticoquality #miamimechanic #80strend #ultimatebluetoolwall #ciclismo #mtb #vice #80svibes #vice #testarossa #fakeguns⚠️ ♬ original sound - 🇺🇲 Major 🏴‍☠️


 

Axios - "“Miami Vice” celebrates 40 years. How the TV show shaped Miami’s brand"

Flashback: The show — filmed like a music video with glamor shots and a big-budget soundtrack — created a sensationalized version of Miami where detectives in pastel European suits and sockless loafers chased bad guys in sports cars and speedboats.

Don Johnson and Philip Michael Thomas were the leading men, but the city itself was a main character, too.

Zoom in: "Vice" was a huge hit for national audiences during its five seasons on air, and international viewers loved the reruns, but it was a source of pride for downtrodden Miamians.

In the early 1980s, Miami's murder rate was the highest in the country. The city was recovering from the police killing of Arthur McDuffie, which touched off devastating race riots.

The Art Deco Cultural District in South Beach was known as "God's waiting room" back then — a 180 from the young party crowds that fill Ocean Drive hotels these days.

What they did: The showrunners staged fake clubs, bars and restaurants inside Art Deco hotels.

They cast young, attractive extras to replace the retirees for beach and poolside shots.

Using a strict pastel-only color palette, they painted over drab South Beach hotels, à la preservationist Leonard Horowitz, who began repainting Art Deco hotels in the '70s.

By the end of the '80s, many say, the real Miami was beginning to look like its TV self.

The 9 Hour Prince Documentary We May Never Get to See

 
















NY Times Magazine - "The Prince We Never Knew"

"It’s 1984, and Prince is about to release “Purple Rain,” the album that will make him a superstar and push pop music into distant realms we had no idea we were ready for. The sound engineer Peggy McCreary, one of many female engineers he worked with, describes witnessing a flash of genius during the creation of his song “When Doves Cry.” Over a two-day marathon recording session, she and Prince filled the studio with sound — wailing guitars, thrumming keyboards, an overdubbed choir of harmonizing Princes. It was the sort of maximalist stew possible only when someone is (as Prince was) a master of just about every musical instrument ever invented. But something wasn’t right. So at 5 or 6 in the morning, Prince found the solution: He started subtracting. He took out the guitar solo; he took out the keyboard. And then his boldest, most heterodox move: He took out the bass. McCreary remembers him saying, with satisfaction, “Ain’t nobody gonna believe I did that.” He knew what he had. The song became an anthem, a platinum megahit."

UFC Noche Design

 































Related,

$4,999 Crustable Painting

 
















NY Times - "Junk Food, High Art"

"Mr. Verrier, 44, an artist who lives in Tallahassee, Fla., has carved out a lucrative niche on social media with his still life paintings of junk food. He has rendered greasy cheesesteaks, extra-large sodas and dinosaur-shaped chicken nuggets in delicate brushstrokes."

Emilia Pérez



Written and Directed by Jacques Audiard
Starring Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, Adriana Paz, Mark Ivanir, Édgar Ramírez

An Hour with the Stanley Cup and Ocean Waves (from Florida Panthers)

Sunday, September 8, 2024

Palme d'Or Winner - Anora


October 18, 2024
Written & Directed by Sean Baker
Starring Mikey Madison, Mark Eydelshteyn, Yura Borisov, Karren Karagulian, Vache Tovmasyan, Aleksei Serebryakov

God MC - Rakim

 












The Ringer - "The Word of God: An Interview With Rakim"

"Q: Walk us through your writing process. What do you draw from, and how do you apply it to music?

A: Early on, I learned how to think like a writer, meaning all day, every time I see a phrase or sign or anything, I’d hold on to important words that stood out. I’m always absorbing and trying to figure out different rhyme schemes. I write notes down on the side of the margins while I’m putting verses together. That way, I won’t get sidetracked and can focus on what I’m writing that moment.

When it’s time to record, I have premeditated rhymes. And I’ll add words as I write along to the music. Sometimes the music tells me what to write. If the music has feeling, it gives me visions, and my head starts spinning, especially if the sample grabs me. Then, thoughts come [to me] in different rhythms. When I’m in the zone, when all the phrases and all the information starts coming, it’s hard to stop it. I hear concepts right away, and words are flowing. I also pay attention to the different rhythms of the words. That’s why I write those sidenotes, so I can come back to them later. It’s a pretty organic process, I would say."

What Refrigeration Created

 













New Yorker - "How the Fridge Changed Flavor"

"In 2010, the open‐data activist Waldo Jaquith decided to make a cheeseburger from scratch, using only agrarian methods. He and his wife had just built a home in the woods of Virginia, where they raised chickens and tended to an extensive vegetable garden. Flush with pride in his self-sufficiency, Jaquith outlined the steps required: bake buns, mince beef, make cheese, harvest lettuce, tomatoes, and onion. Then he realized that he wasn’t nearly committed enough. To really make a cheeseburger from scratch, he would also need to plant, harvest, and grind his own wheat, and raise at least two cows, one for the dairy and another to be slaughtered for the meat.

At this point, Jaquith gave up. The problem wasn’t labor but timing. His tomatoes were in season in late summer, his lettuce ready to harvest in spring and fall. According to the seasonal, pre-refrigeration calendar he was trying to follow, Jaquith would have needed to make his cheese in the springtime, after his dairy cow had given birth: her calf would be slaughtered for the rennet, and the milk intended to feed it repurposed. But the cow that provided his beef wouldn’t be killed until the autumn, when the weather started to get cold. If Jaquith turned the tomatoes into ketchup and aged his cheese in a cellar for six months, until the meat, lettuce, and wheat bun were ready, he could maybe, possibly, make a cheeseburger from scratch. But practically speaking, he concluded, “the cheeseburger couldn’t have existed until nearly a century ago.”

And, in fact, it did not. The cheeseburger is just one of many sensory pleasures made possible by a highly industrialized and refrigerated food system. More obvious ones include the delightful anticipation of pouring a crisp beer at the end of the day, the refreshing clink of ice cubes in a soft drink or a cocktail, and, of course, the joy of licking an ice-cream cone in summer. Brewers, such as Frederick Pabst and Adolphus Busch, were among the first to invest in mechanical refrigeration; without it, American-style lager beer was impossible to make year-round or at scale. David Wondrich, a historian of alcohol, has traced the cocktail back to a custom of drinking a blend of spirits, bitters, and sugar in Britain—but it wasn’t until such drinks met continual, affordable supplies of American ice, in the late nineteenth century, that the art of mixology was born. And though the ancient Chinese, Romans, and Persians all mixed snow or ice with fruit juice or dairy products to make chilled desserts, ice cream only became popular outside élite circles in the mid-eighteen-hundreds."

Tennis in the Zeitgeist

 











GQ - "I Wish Tennis Wasn’t So Cool"













The Verge - "What's In, What's Out"















NY Times - "Did You Even Go to the U.S. Open if You Didn’t Get a Hat?"

Nike Air Tech Challenge 2 Hot Lava

 












Nike - "Air Tech Challenge 2 Hot Lava"

Hybebeast - "Nike Reveals an Aged Air Tech Challenge 2 "Hot Lava""
GQ - "Nike’s Greatest Tennis Shoe Ever Is Finally Returning This Week"

Cost to Run NCAA Football Team

 














NY Times - "In College Sports’ Big Money Era, Here’s Where the Dollars Go"

Tyranny of the Penny

 












NY Times - "America Must Free Itself from the Tyranny of the Penny"
By Caity Weaver

Sunday, September 1, 2024

The Memeing of Life

 















GQ - "The Memeing of Life"
By Will Welch (Global Editorial Director)

Back in June, I was sitting at a dinner event next to a young writer friend. This was during that extraordinary moment in American politics when President Joe Biden was still on the Democratic ticket but facing mounting pressure to step aside.

The writer friend is wickedly smart, funny, and popular. Plugged-in. The kind of cutting-edge young person who's in all the cutting-edge group chats with all the other cutting-edge kids.

We were talking about the increasingly plausible possibility that Biden might drop out of the race.

"It's gotta be Kamala," my friend said. "I think she can do it." He paused. "And just imagine the memes."

Something about that statement hit my brain like a bolt of lightning. This young person was doing things at once: expressing an earnest and very serious political perspective and expressing a deliriously craven lust for LOLs.

You see, in 2024, the two need not be at odds.

In fact, for a political idea to connect, it very much has to meme.

For whatever reason, this exchange finally made me accept a hard and very modern truth: Right now, the meme is the primary mode of transmission, and the most important currency of our time.

The implications of this are far-reaching. They affect politics, business, news, fashion, every form of culture. Basically, all public-facing communication at scale.

Just a couple weeks after the conversation with the writer that galaxy-brain-memed my mind, I was having dinner with another friend, this time a musician.

He told me that his latest album had yielded disappointing results, and he'd just returned from a tour on which he'd lost money.

He was frustrated because, with the new album, he'd made a rich and complex work of art that he was unwilling and perhaps unable to reimagine as "content."

He resisted cutting his headphone masterpiece up into chunks and pushing it through the social media pipelines.

As a result, the album did not meme. Which means it did not travel. And it did not accrue currency.

Now, it's important to acknowledge here that the concept of the internet meme is some three decades old. But all this is very much new. To be honest, most people still haven't caught on.

Which is why the long-simmering conversation about Joe Biden's age didn't get serious until after the president's infamously disastrous debate with Trump, despite a whole genre of "Joe Biden freeze" memes that had been racking up views and LOLs (yes, memes are unsparingly cruel) for months.

Until the debate we weren't quite ready to think like my writer friend and accept that the freeze memes were showing us the truth and delivering the laughs at the same time.

Once you go galaxy-brain you start realizing that all the biggest cultural juggernauts of the last 12 months or so have been meme machines: Zach Bryan. Elon Musk. Dune: Part 2. The Drake-Kendrick beef.

And, of course, nobody memes as effortlessly and instinctively as Donald Trump himself—although Kamala Harris is a formidable meme machine herself, which suggests the Dems might be competitive in November after all.

Despite all the daily ridiculousness on TikTok, X, IG Reels, and all of our group chats, I don't think the grave importance of this election is lost on America's citizenry. Every news hit and campaign ad makes it extraordinarily clear that the future of the global economy, several wars, the climate, women's reproductive rights, fundamental LGBTQ issues, and much more are all on the ballot. Every day we hear—from both sides, for different reasons—that democracy itself is at stake. This one matters a lot.

Yet in 2024 each day's battle will be won or lost in the meme trenches, with dumb-funny user-generated social videos that make the internet laugh-cry. What a time to be alive.

Meanwhile, I have been grappling with what all this means for me personally, and for GQ. Honestly, on the personal side, at age 43, the thought of mastering CapCut so I can throw myself on the sword of the TikTok algorithm feels equal parts exhausting and demeaning.

But here in the relevance economy, you can't succeed if you're too cool to meme. Dignity is a forgotten virtue and clout is king.

As far as GQ goes, I think we're in good shape.

George Clooney and Brad Pitt have stayed at the center of culture for four decades now, and when we asked them to put on white suits, hop in Brad's pool, and mug for the camera they didn't hesitate.

I think it's a classic magazine cover. I also think it's a good meme. Right now, it's gotta be both to make a splash.

All-Time Comeback - Quincy Hall 400M 2024 Paris Olympics

LeBron as George Washington

 






















Via ArtButMakeItSports.

Related,
NY Times - "You Saw Jason Kelce. This Guy Saw ‘The Feast of Bacchus.’"

Nicolas Page to Play John Madden

 















Variety - "Nicolas Cage to PLay NFL Icon John Madden in David O. Russell's Biopic"

NIL (Name, Image, Likeness) Athlete Deals

 






















USA Today - "Shedeur Sanders inks Nike sponsorship, lands Times Square billboard"









































Saturday Night


Directed by Jason Reitman 

Pablo's Hippos

 















New York Times - "Colombia to Sterilize Pablo Escobar’s ‘Cocaine Hippos’"