Sunday, September 22, 2024

John Madden's Sunday Set Up

 





























LA Times - "John Madden is gone but his family is keeping his NFL gameday legacy alive"

"The best seat in the house is still reserved for John Madden.

His throne is fully reclined and draped in a fleece Raiders blanket. It sits squarely before a 20-foot-tall LED wall, a study in sensory overload, showing every NFL broadcast at once.

When the Hall of Fame coach retired from the TV booth in 2009, until his death in 2021, he watched games in his own temple of boom — a family-owned production studio in a quiet business park.

He would sit in that recliner, or at a table at the back of the darkened and cavernous room, where his family now arranges a weekly place setting in his honor. There’s a cup of coffee, a glass of orange juice and a fresh-baked apple fritter, all of which go undisturbed throughout the day."

Miami Vice Recreated Miami

@iam.major_dad Among the many iconic moments that defined this era, none are more indelible than the unforgettable scene in Season 1, Episode 1 of Miami Vice when Phil Collins' "In the Air Tonight" played. This moment not only left an indelible mark on television history but also contributed to the enduring legacy of both the song and the show. Picture it: Miami, 1984. The city's vibrant culture and pastel-infused skyline served as the backdrop for a groundbreaking television series that would go on to redefine the cop drama genre. Miami Vice, created by Anthony Yerkovich and executive produced by Michael Mann, burst onto the scene with its slick style, unconventional storytelling, and a killer soundtrack that would become the hallmark of the show. In the opening episode, detectives Sonny Crockett (Don Johnson) and Ricardo Tubbs (Philip Michael Thomas) embark on an undercover mission to take down a drug kingpin. The scene is set for suspense and intrigue, but it's the soundtrack that elevates it to legendary status. As Crockett speeds through the Miami night in his iconic "Ferrari" Spyder (later identified as a mock Ferrari and replaced by real Ferrari’s as an agreement between Ferrari and the producers), the haunting notes of Phil Collins' "In the Air Tonight" start to play, setting the tone for what would become one of the most iconic moments in television history. #fakeguns⚠️ #80stv #miamivice #miami #s #donjohnson #sonnycrockett #miamibeach #miamiheat #philipmichaelthomas #vibe #80sshows #ricardotubbs #florida #freitag #tvshows #miamivicestyle #sfashion #southbeach #f #miamilife #ferrari #miamimtb #miamirace #vitico #bhfyp #viticoquality #miamimechanic #80strend #ultimatebluetoolwall #ciclismo #mtb #vice #80svibes #vice #testarossa #fakeguns⚠️ ♬ original sound - 🇺🇲 Major 🏴‍☠️


 

Axios - "“Miami Vice” celebrates 40 years. How the TV show shaped Miami’s brand"

Flashback: The show — filmed like a music video with glamor shots and a big-budget soundtrack — created a sensationalized version of Miami where detectives in pastel European suits and sockless loafers chased bad guys in sports cars and speedboats.

Don Johnson and Philip Michael Thomas were the leading men, but the city itself was a main character, too.

Zoom in: "Vice" was a huge hit for national audiences during its five seasons on air, and international viewers loved the reruns, but it was a source of pride for downtrodden Miamians.

In the early 1980s, Miami's murder rate was the highest in the country. The city was recovering from the police killing of Arthur McDuffie, which touched off devastating race riots.

The Art Deco Cultural District in South Beach was known as "God's waiting room" back then — a 180 from the young party crowds that fill Ocean Drive hotels these days.

What they did: The showrunners staged fake clubs, bars and restaurants inside Art Deco hotels.

They cast young, attractive extras to replace the retirees for beach and poolside shots.

Using a strict pastel-only color palette, they painted over drab South Beach hotels, à la preservationist Leonard Horowitz, who began repainting Art Deco hotels in the '70s.

By the end of the '80s, many say, the real Miami was beginning to look like its TV self.

The 9 Hour Prince Documentary We May Never Get to See

 
















NY Times Magazine - "The Prince We Never Knew"

"It’s 1984, and Prince is about to release “Purple Rain,” the album that will make him a superstar and push pop music into distant realms we had no idea we were ready for. The sound engineer Peggy McCreary, one of many female engineers he worked with, describes witnessing a flash of genius during the creation of his song “When Doves Cry.” Over a two-day marathon recording session, she and Prince filled the studio with sound — wailing guitars, thrumming keyboards, an overdubbed choir of harmonizing Princes. It was the sort of maximalist stew possible only when someone is (as Prince was) a master of just about every musical instrument ever invented. But something wasn’t right. So at 5 or 6 in the morning, Prince found the solution: He started subtracting. He took out the guitar solo; he took out the keyboard. And then his boldest, most heterodox move: He took out the bass. McCreary remembers him saying, with satisfaction, “Ain’t nobody gonna believe I did that.” He knew what he had. The song became an anthem, a platinum megahit."

UFC Noche Design

 































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$4,999 Crustable Painting

 
















NY Times - "Junk Food, High Art"

"Mr. Verrier, 44, an artist who lives in Tallahassee, Fla., has carved out a lucrative niche on social media with his still life paintings of junk food. He has rendered greasy cheesesteaks, extra-large sodas and dinosaur-shaped chicken nuggets in delicate brushstrokes."

Emilia Pérez



Written and Directed by Jacques Audiard
Starring Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, Adriana Paz, Mark Ivanir, Édgar Ramírez

An Hour with the Stanley Cup and Ocean Waves (from Florida Panthers)